I’ve been collecting professional artists’ markers for a while, but I’ve always been a little nervous to use them. Unlike digital art, traditional work – with paints, with pens, with markers – has no “undo” button. Yes, there are techniques to cover and incorporate mistakes; still, it is nerve-wracking for an artist who grew up with the safety net of CTRL+Z. So while I sketched these portraits in June, they remained only sketches while I thought about what to do with them. Leaving them as a sketch was no good, of course, so with a little nudging from Cloud, I finally sat down to ink and paint them last week. And if I messed up horribly, I could always re-do them digitally, after all. . . .
Luckily, I did not mess up horribly, so here they are!
The markers were a mix of Promarkers and ShinHan Touch markers (both alcohol-based) and a single pink Aquamarker (water-based). I found that the Promarkers and Touch markers blended quite nicely, and the Aquamarker layered nicely after the alcohol layer dried thoroughly. My Sakura Gelly Roll pen provided highlights – a real life-saver when you accidentally color over, say, the whites of the eyes, haha!
Time: 22 hours for both
Materials: mechanical pencil, Prismacolor Premier .05 pen, ShinHan Touch markers, Promarkers, Aquamarkers, Sakura Gelly Roll (white)
Playing in GIMP again. This sketch took around ~30 minutes (threw a couple attempts away first, haha).
I like working in blue first for the sketch, even in digital art. Added some quick grayscale shading to check lighting/values. I intended this to be a fantasy piece, but it looks more like a panel from a superhero comic now! XD
If I continue painting this piece, what do you think the colors of her dress and cloak should be? I was thinking black & red, but I’m already using those for the Onyx and Sardonyx piece, so hm. Any suggestions?
I meant to post this earlier and forgot! Haha. This piece, “Heiress,” evolved slowly from a warm-up sketch, and I’ve been working on it whenever I want to – instead of for a deadline. It’s very relaxing. 🙂
This screencap is from the lighting check. I painted it in black and white first to get a good grasp of the values. I like using this method because I have trouble with lighting, but placing colors on top of grayscale is a struggle. :’) Even if the colors look good in the end, they aren’t exactly what I envisioned at the start. Flatting with colors fixes that problem. . . but then I struggle with getting the lighting right. A conundrum! LOL
In this tutorial, we’re going to take a look at how to make these galaxy pictures in watercolor! They’re simple to make and look spectacular – my favorite kind of technique. :3 In only three layers of color, and only an hour or two from start to finish (including drying times!), these galaxies are quick and fun to make. Best yet, you can finish several in an afternoon!
I’m still playing around with watercolors – though I think I may be confident enough to start with the illustrations soon. 😀 In the meantime, here are all three landscapes I’ve painted in watercolor (including the first one I shared there on the bottom right). It’s interesting how, by varying the amount of water amount of washes, one can intensify or dull the paint to create depth.
On the bottom left I tried something new: a mountain sunset. As the day turns to dusk, often one can only see the silhouette of the mountains against a fiery sky. Unfortunately, I chose to use flat black for the mountains at first – what a mistake! Though I wiped some away and used some blue for highlights, it still didn’t turn out quite right. Next time I’ll use a dull, gray-ish blue mix for the mountainous silhouette.